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Book Review: Digital Art Photography for Dummies by Matthew Bamberg
From Blogcritics.org

June 12, 2006
David R Perry
Digital Art Photography For Dummies (For Dummies (Computer/Tech))
Matthew Bamberg
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With the times being what they are, and microchips no longer requiring an enclosure the size of a Chevette, I've about decided that maybe there's something to this whole computer business after all. I think it might stick around and become useful to humanity here before too long. In fact (and maybe it's just the combination of margaritas and the summer heat talking), I've also decided that film might not be the best route to go when I finally get around to buying my new camera. Call me sloppy, but I take a lot of crappy pictures that I don't necessarily want to pay to get developed.

And maybe you're more like me than even I am (since I'm lying in an effort to identify with the technology-impaired everyman). Maybe you're in the position where you either have a digital camera that you'd like to learn how to use better or are looking to get your first one and want to be able to do a little research on the subject before finally taking the plunge. In either case, you may be looking at picking up a book on the subject. I can tell you from experience, the manual that actually comes with your camera is about as readable as the license agreement that comes with the computer you'll also need (ie: not readable at all, except to three techno-legal-geeks who have never seen the light of day and would only be using cameras to somehow hack into World Of Warcraft, but we do wish them luck in their crusade).

We live in a world where no one has the time to read through manual after manual in a search for the answers to their questions. Most people will either give up and settle for mediocre shots or they'll grab a book at random and hopefully make do. So I've decided to sift through at least one of them for you and let you decide whether it sounds like what you need.

Digital Art Photography for Dummies, by Matthew Bamberg, is one that you may come across. As part of the popular Dummies series, it leans more towards the newbie side of the familiarity curve. Bamberg himself is an accomplished photographer who showcases his work in various galleries and venues. He strives to guide you through the process from the very beginning to the very end. It's a thorough manual for those with the goal in mind of eventually printing and framing their work either for fun, for gifts, or for sale. And maybe that's you.

But maybe it's not. This particular guide isn't for everyone. It's a focused title that may not mirror your primary concern for taking photos. Don't assume it's not for you because you may be surprised at some of the tips and tricks you can apply to your own photos that you might not have considered before. So with all that in mind, I'll break this review into the two categories that also break down most every other aspect of life: the good news and the bad news.

Bamberg has a writing style that I generally refer to as "the patience of a saint." He goes into generous detail about pretty much every step of the digital photography process — from selecting a computer and accessory components, to the actual camera and what all those strange buttons are supposed to do, all the way to saving images for printing and the best type of paper to use for different prints. For those of you unsure if some of this will be over your head or not, it’s an exacting approach that is not going to leave you in the dark. The writing style is a bit corny, but an easy read, and includes a very generous amount of sample shots (both bad and good, "before" and "after") that help more readily explain some of the techniques explained in the book.

In typical Dummies fashion, it's geared towards people more inclined to add when it comes to instructive book reading. It's littered with little symbol things on the margins and a healthy amount of inset boxes, which I'm assuming are to help visually break up the task of going through the chapters. Although not my personal favorite way to read, it does have some tangible benefits for further study (which I'll explain in a minute).

One of the nicest things about the book is the very clear and ordered arrangement of the information. It's almost a literal progression of events for the whole process, from the start of selecting equipment to the end of framing your finished prints, with each chapter further broken down in the table of contents so that you really can find anything he touches on in a matter of seconds. (I'm guilty of using this myself, as I immediately jumped to the sections on shooting at night to help with some issues I was having, before eventually going back and reading through the book in order.) Although most people may not need everything in the book, it is laid out in a fashion that makes it very easy to skip to the information you need.

As for the actual content, or "meat" of the book, it contains some really nice tips anyone could benefit from, whether its techniques for basic composition of shots or digging into the presets and manual options of your camera to help capture the best results for the particular situation you're trying to shoot. Especially with the chapters "Shooting For Color" and "Night Art Photography," there will be plenty of instances where you can't really know the best option, but rather need to try several techniques and then work with the results later at your computer. In that sense, Bamberg does a great job of helping you think about not only opportunities your given circumstances might yield before you get there, but also ways to take advantage of "bad" circumstances to achieve something entirely different. If nothing else, he tries to hammer home the idea that photography is not a list of "do this, then this, and then everything will be perfect," but more the sense of knowing enough of the fundamentals to be able to adapt to and be open to finding situations as they come up.

Now for the bad news. Perhaps the biggest strike against the book is that there really is a lot of information you may not need (and those sections could be different for different people). When I think of the phrase "digital art photography," I think more of taking an artistic, compositional approach to how I capture my photos. I personally have no desire (or time and money) to go through the process of framing my prints for either the home or gallery user. I might do that once or twice, but at that rate I'm probably better off having someone else do it for me and saving some time and energy. The pictures I take are for enjoyment, posterity, emailing, and little more. I have a feeling this is also more the attitude of the general populace. And for those who do wish to take their craft into a more marketable direction, I have my doubts that they're green enough to benefit from chapters on selecting a computer, scanner, and camera. At the end of the day, I got a lot out of about half the book and really had no need for the other half. I might have been better off finding one whole book I could really dig into. If the niche of digital camera newbie who wants to frame their own prints is you, then you've definitely found your book, hands down. But for most other people, I'm afraid it might be too narrow to derive 100% usefulness from the text.

Perhaps a smaller gripe is the monetary investment you're expected to make. For cameras, he is pretty fair and clear that a digital SLR is going to give you the best (possibility of) quality prints, as well as the customization options needed for such. But he also gives you pointers for mid- and higher-end point and shoot cameras, if that's more your speed. For software, however, the book often comes across as an unsolicited advert for Adobe Photoshop CS2. Granted, it's the king-daddy of digital imaging software, but there are other, and cheaper, players on the court that offer many of the same options as Photoshop for a fraction of the price (although you could also consider the less-robust and cheaper option of Adobe Photoshop Elements). In the interest of equal time, here are a couple you can consider: GimpShop (a customization of the popular Gimp software package, which offers most of Photoshop's functionality, and is also laid out in a very similar fashion), which is free; and Pixel (a newer, but very capable and full-featured imaging application), which costs about US $32. Both are multi-platform.

Another item is perhaps not so much a complaint, but something to put on the wish list for a reprint, or other Dummies titles in general. There are a lot of great hints in the book that can be applied to make your photos look much better. But really, way too many for the average person to remember until they've actually applied them in real-life situations. The Dummies series tries to account for this with their "Try This" icon placed out in the margin, which lets you easily go back and find sections that are laid out with steps for instructional application. But they're just too few and far between and randomly placed to really capture most of the information you should be practicing. It would have been much nicer to sum up each chapter with a worksheet section (or even better, a perforated worksheet that can be removed to take with you) that goes over different exercises and settings to experiment with, related to techniques discussed.

So is this book for you? I have no idea. Hopefully this review will help you decide that for yourself. We're all at different levels of the game and have different goals in mind. If you're new to the world of digital photography and would ultimately like to get into displaying and selling your photographs, this is a very solid book with lots of great information and instruction. For everyone else, there is still a lot of great information and instruction, but you might want to first take a glance over it yourself to decide if enough of it applies to you.

Kickstartnews.com

Digital Art Photography for Dummies, by Matthew Bamberg, MA, ISBN: 0-7645-9801-5
Reviewed by: Howard Carson, May 2006
Published by: For Dummies (a Wiley imprint)
Requires: A digital camera and an interest in photography
MSRP: US$34.99, CAN$44.99, UK£22.99

The "Dummies" series of books started off ignominiously somewhere around 1991 with the first title "DOS for Dummies". The philosophy behind the titles however, overcame the minor stigma attached to the "for Dummies" phrase, and the plain-spoken rationale has become the driving force behind well over 1,000 unique Dummies books from hundreds of different, authoritative writers. Wiley has sold well over 125 million Dummies books. Writer and photographer Matthew Bamberg has contributed this entry in the series based on his successful experience. Like almost all other Dummies books, this one has several layers of complexity. It can be read and understoond by complete novices, but it also offers sufficient additional depth and detail which can serve to inform much more experienced readers and photographers.

Bamberg has focused Digital Art Photography for Dummies squarely on the title subject and he rarely strays from that path throughout 75% of the book. I was struck by how consistently the author maintained his subject focus and by how smoothly he positioned information about photography technology. In every chapter and section you have the opportunity to skim through or absorb greater detail. For photographers at all levels, that sort of presentation provides the opportunity to gain a lot of knowledge in a short period of time while also providing the option to go directly to a particular subject. Bamberg's enthusiasm for his subject is palpable.


The book's other features and benefits are just as important as the author's positive, creative attitude. In 370 pages (including a reasonably detailed Index), the book covers a huge range of photography techniques of direct interest to anyone who wants to do more than just shoot family portraits and candid shots of relatives and kids. Bamberg presents specific subject matter shot in interesting locations around the world—hundreds of color photos of hundreds of subjects—and explains the idea, technique and mood behind each shot. The author also helps you develop a clearer and more focused view of the world around you. Plainly put, if you've been wondering how to get started, this book walks you through the process.

The late chapters are designed to expand your abilities when it comes to handling digital photos, organizing them and performing a wide range of editing tasks to crop or otherwise enhance your work. Bamberg covers the artistic basics of Photoshop CS2 (which of course by association and because of similar features also covers Photoshop Elements, PaintShop Pro and other programs), and touches on the use of certain kinds of photo editing hardware such as graphics tablets and the graphics stylus.

Cons: There are a few quibbles that should have been cleaned up during copyediting and proofreading. In particular, there is a definitive bias toward Canon cameras. Canon makes terrific cameras, but throughout the book Bamberg uses only the Canon/Pentax/Contax acronyms "Av" (Aperture Value mode—another way of saying Aperture Priority or "A"), "Tv" (Time Value—another way of saying "S" or Shutter Priority), and in one chapter uses "A" to denote Automatic mode even though most modern cameras use the word "Auto" to denote Automatic mode. Nikon, Olympus, Kodak, Fuji, Konica-Minolta, Leica, Sony, etc. (representing the vast majority of cameras in use around the world) use "A" and "S" and the book should have clarified these important details to avoid causing any confusion amongst beginners (true 'Dummies' in other words). The 'Dummies' books invite authors to use an affable writing style, but there's no need for the repeated use of the word "um" (typically a spoken verbal pause) which usually reads like the author is trying to be overly familiar. We'd like to see future editions of this book include more technical details for each photo including F-stop, shutter speed, lighting conditions, ISO value, EV, camera model and lens brand/type.

Pros: This is not just a book for 'Dummies', nor is it limited to merely the basics. Complete beginners, novice camera users, amateurs, photography hobbyists and intermediate level enthusiasts will all benefit from reading and referring to the book. It is heavily illustrated using hundreds of example photos. The author uses clear and concise language, straying into more complex technical references only rarely and almost always within the context of a sidebar or feature item which specifically introduces the more complex subject matter. It helps that the author is also a good photographer because the photo illustrations throughout the book are largely excellent, providing readers with clear examples of techniques and ideas. Best of all, the book offers hundreds (if not thousands) of ideas for artistic photography. If you don't come away from reading this book with a head full of great shots in mind and the ability to see new photo opportunties everywhere you look, then you probably read it upside down. Bamberg's enthusiasm for digital photography and photography as a medium for the creation or capture of great art is clear and infectious. For thirty five bucks you could do a lot worse. Put another way, instead of buying yet another filter for one of your camera lenses or a fancy new case for your point & shoot camera, why not buy this book instead and learn to make better use of the gear you've already got? Highly recommended.

KSN Product Rating:

Mike Huang's Web Site

Coincidentally, on the day I picked up this book, the author, Matthew Bamberg left me a note on this blog saying I should check out his book.

I suppose it was by fortune that I was able to obtain this book, having only been published this last December, and it was found in the normal photography section of the library and not the new section, where I'm sure it would have been snatched away the instant it appeared (as all new digital photography books do at the MVPL).

Everyone probably has seen a "For Dummies" book at this point, with it's yellow cover, black and white text inside punctuated by cartoons, and the ocassional black and white copy of a diagram or a photograph. While it does have the yellow cover, Digital Art Photography For Dummies is produced in FULL-COLOR. Yes folks, full-color on nice paper for a Dummies book. What better way to teach photography than to have color photographs on every page showing the different examples?

Digital Art Photography for Dummies is broken down into 5 sections:

The Art of a Digital Picture

The first part of the book covers how to take a picture. It's useful for those who have never taken a photography class in their life, because it introduces the concepts important to photography like composition, like color, like the rule of thirds, and so forth. It's an excellent primer and should fill the reader's imagination with ideas. The next two chapters are devoted to digital matters such as using your digital camera, how to calibrate your workspace, how to hook up the devices and so forth. The fourth chapter covers something that I don't think any photography book I've read has detailed yet, and that's figuring out what kind of photographer you want to be.


The Photo Shoot

Basically, how to shoot indoors, how to shoot outdoors, how to control lighting, how to shoot black and white, how to shoot people and animals, and how to use filters. It's a really useful chapter to read.


Photoshop Art: Using Software to Enhance or Create Art Photos

What do you do with old photographs? How can you bring them back from the faded state you found them in the shoebox? This section shows you how to do that, as well as how to fix photographs with all the filters and tools found in Photoshop. I normally hate Photoshop tutorials within books, but within this book, because it's more of a general overview rather than giving detailed step by step instructions by example (he does do this, but it is in manageable amounts for things that matter). I wish other authors would follow this example of how to do a Photoshop chapter. Major kudos for finally getting a Photoshop chapter done right.


The Final Output: Gallery-Worthy Prints

This chapter lays out how to get your photographs into the condition where it can be published or hung on walls or sold. He also covers RAW and file organization as well.
The Part of Tens
In every "For Dummies" book, the author lists ten rules to follow, which summarize the subject matter. In this one, he also offers 10 digital tricks to create better photographs.
Digital Art Photography for Dummies is what I've been looking for as a perfect introductory book on the subject which also had advice and tips for how to actually make work marketable. It's a great book, don't let the "For Dummies" title fool you -- if you manage to absorb all the the information in this book and make use of it all, you'll be regarded as an expert.

Posted by Michael Huang on February 15, 2006 06:06 PM | Permalink

Library Journal Review

My first big time review from Library Journal.
Bamberg, Matthew. Digital Art Photography for Dummies. Wiley. 2005. c.370p. photogs. index. ISBN 0-7645-9801-5. pap. $34.99. PHOTOG

Journalist/photo artist Bamberg provides a thorough overview not only of digital photography but also of photography in general. In Part 1, he offers solid, practical advice on defining one's audience and personal approach to photography and discusses the process of making photographs, various compositional elements (e.g., color, light and shadow, perspective), and the transition to digital photography. Part 2 contains wide-ranging tips about photographing outdoors and indoors, photographing people and animals, and taking color, black-and-white, and night shots. Part 3 deals with the use of PhotoShop; Part 4 is about managing digital files, printing photographs, and matting and framing one's work. In Part 5, and in a bonus section titled "On
the Web," Bamberg imparts additional tips that address everything from
photographing on a cloudy day to enhancing one's photographs with text. The book includes a useful index for locating specific information and is illustrated with more than 300 full-color photographs. Bamberg has written a remarkably clear and comprehensive overview of digital photography; recommended for all libraries, especially for public libraries where there is interest in amateur photography.
-Raymond Bial, First Light Photography,Urbana, IL